If you’ve not yet seen Belarus Free Theatre’s work, now’s your chance. Run to La Mama for “Burning Doors,” their latest to deal with government’s repression of free expression. Sadly, it seems more vital than ever.
The Tectonic Theater Project, known for “The Laramie Project,” is back with “Uncommon Sense,” directed by its founder, Moises Kaufman,at The Sheen Center. Like “The Laramie Project,” it’s based on true stories of interviewees — this time concerning people living with autism.
David Harrower’s “Knives in Hens” comes to 59e59 soon after a wonderfully received production in London. A beloved Scottish playwright, Harrower is best known here for his engrossing “Blackbird,” recently seen on Broadway.
I’m also loath to recommend another play about mass shootings, but “Office Hour” by Julia Cho (Durango), coming to The Public, received excellent reviews when it premiered in L.A. and is worth your attention.
Don’t wait to buy tickets for “Peter Pan” by the astonishing Bedlam Theater Company — I love everything this company has done. One of Bedlam’s early playwright/performer members, Kate Hamill, has now put her hand to “Pride and Prejudice,” after her wildly creative adaption of “Sense and Sensibility.” She has said she’d like to adapt all of Jane Austen’s work, and I look forward to each and every one. This will play at Primary Stages.
Although previously mentioned, I’ve now seen the reprise of “Torch Song” by Harvey Fierstein (another directed by Moises Kaufman), currently at 2nd Stage — it’s a glorious production headed by the versatile, delicious Michael Urie. DONT MISS THIS — now extended until December 3rd.
See you soon — at the theatre!
Carol Tambor publishes a monthly newsletter, which announces worthy shows coming to New York, along with occasional information about London theatre and, of course, the Edinburgh Fringe.